I have more cameras than I can count but the old adage “the best camera is the one you have with you” is the reason I upgrade my iPhone yearly. And every year, I take a photo walk, a pilgrimage if you will, to put the camera to the test.

With the new ultra wide + macro lens on iPhone 13 Pro, this year was a little more exciting than usual as anyone who knows me knows I love wide angle photography especially the challenging ultra wide macro photography.

I’ve frequently compared iPhone photography to shooting with my Laowa 15mm Macro and this year it is more true than ever.

This entry into Hexagon is a journaling of the past few week withs iPhone 13 Pro.

One year ago, I set out on a person mission, my New Year resolution and creative endeavor to take a photo every day for 365 days with each month a theme. 2018 is here and 2017 has come to its completion and thus A Year in Photographs concludes.

It is somewhat bittersweet to end this project. For an entire year my mind has been at work photographing everything around me. It is also a relief. There were days and weeks where it was very hard to get out and photograph; or at least follow my theme. Some months were very busy with work and other events. But all good things must come to an end.

I learned a lot about myself and photography. I pushed myself and took many along this journey but I think I will keep this simple.

When I set out on this journey in January of 2017, I was very excited. I felt somewhat in a rut professionally and A Year in Photographs gave me some purpose creatively. I also recall a post not too many days into this project concerned I wouldn't have enough storage for all the photos I was taking. And had I continued that path, I would have thousands, perhaps tens of thousands, of photographs.

I would head out every day with my camera and take photo after photo after photo and end up with a hundred by the end of that day. Two things were an issue: I didn't want to store all this and, two, frankly, I soon found I didn't have time to photograph as much as I thought I needed to.

This need wasn't about actually needing the quantity, it was about lack of focus. While I enjoy running around, wandering, with my camera and taking photographs, it simply wasn't practical to do when sometime in the future I would find myself working sixteen hour days. Instead, I soon found that I needed to adapt and become even more creative.

My daily mission wasn't to shoot a bunch of photographs and pick my favorite one to post for the day. My mission became that of having a precise creative vision. In other words, whatever my theme was for the month, I pushed myself to envision what I wanted to capture that day and go out and find it. Rather than wandering, although I still did that when I had a chance to, I would set out to find the image specifically; knowing where I could/would find it and make it happen.

As it turned out, rather than taking dozens of photos, I would take just a few and find what I wanted. When time was short and other circumstances would keep me from taking all the time in the world to photograph, this learn was huge.

Some months I had the chance to also work with some colleagues and friends. Erik Dirksen and Juan Galindo were two who I set out on a day of photography. I also enjoyed some time with old friends—Rory Coyne, a friends and artist, allowed me to photograph him as he worked. I hope to do more small projects like this in the future as time allows.

Further, Mazi and Chrissy, two good friends, requested me to photography their wedding. While it was not a normal skill of mine, it was a great opportunity and fun to get out of my usual creative space. One of my favorite photographs from the entire year came from this shoot.

My one opportunity with this project was to take it even further. Of course, hindsight is 20/20. But let this not sound like a defeat or complaint. It is merely another learn from this that there is so much more to photograph, so many more endeavors left that one could not achieve them in a single year.

Looking back over the year, I noticed that things began to work together. Things I worked on or learned earlier in the year, for example Color or Shapes and Patterns, became important influences in Perspective and Details. People played an important part in Cinematic while Minimalism and Black and White influenced Night.

While this project has come to an end, I enjoy looking back over the 365 photographs I've taken. It was tough, sometimes even foreboding when I could not imagine having time to do it, but it was an incredible experience. I recommend to anyone who enjoys photography to engage in such an adventure.

January – Black and White
February – Shapes and Patterns
March – People
April – Minimalism
May – Color
June – Architecture
July – Signs and Symbols
August – Night
September – Cinematic
October – Perspective
November – Motion
December – Details