A Year in Photographs

Sunset @ 25,000ft – Day 361

One year ago, I set out on a person mission, my New Year resolution and creative endeavor to take a photo every day for 365 days with each month a theme. 2018 is here and 2017 has come to its completion and thus A Year in Photographs concludes.

It is somewhat bittersweet to end this project. For an entire year my mind has been at work photographing everything around me. It is also a relief. There were days and weeks where it was very hard to get out and photograph; or at least follow my theme. Some months were very busy with work and other events. But all good things must come to an end.

I learned a lot about myself and photography. I pushed myself and took many along this journey but I think I will keep this simple.

When I set out on this journey in January of 2017, I was very excited. I felt somewhat in a rut professionally and A Year in Photographs gave me some purpose creatively. I also recall a post not too many days into this project concerned I wouldn't have enough storage for all the photos I was taking. And had I continued that path, I would have thousands, perhaps tens of thousands, of photographs.

I would head out every day with my camera and take photo after photo after photo and end up with a hundred by the end of that day. Two things were an issue: I didn't want to store all this and, two, frankly, I soon found I didn't have time to photograph as much as I thought I needed to.

This need wasn't about actually needing the quantity, it was about lack of focus. While I enjoy running around, wandering, with my camera and taking photographs, it simply wasn't practical to do when sometime in the future I would find myself working sixteen hour days. Instead, I soon found that I needed to adapt and become even more creative. 

Chicago River – Day 26

My daily mission wasn't to shoot a bunch of photographs and pick my favorite one to post for the day. My mission became that of having a precise creative vision. In other words, whatever my theme was for the month, I pushed myself to envision what I wanted to capture that day and go out and find it. Rather than wandering, although I still did that when I had a chance to, I would set out to find the image specifically; knowing where I could/would find it and make it happen.

As it turned out, rather than taking dozens of photos, I would take just a few and find what I wanted. When time was short and other circumstances would keep me from taking all the time in the world to photograph, this learn was huge.

Some months I had the chance to also work with some colleagues and friends. Erik Dirksen and Juan Galindo were two who I set out on a day of photography. I also enjoyed some time with old friends—Rory Coyne, a friends and artist, allowed me to photograph him as he worked. I hope to do more small projects like this in the future as time allows.

Further, Mazi and Chrissy, two good friends, requested me to photography their wedding. While it was not a normal skill of mine, it was a great opportunity and fun to get out of my usual creative space. One of my favorite photographs from the entire year came from this shoot.

Mazi and Chrissy – Day 245

My one opportunity with this project was to take it even further. Of course, hindsight is 20/20. But let this not sound like a defeat or complaint. It is merely another learn from this that there is so much more to photograph, so many more endeavors left that one could not achieve them in a single year.

Looking back over the year, I noticed that things began to work together. Things I worked on or learned earlier in the year, for example Color or Shapes and Patterns, became important influences in Perspective and Details. People played an important part in Cinematic while Minimalism and Black and White influenced Night. 

While this project has come to an end, I enjoy looking back over the 365 photographs I've taken. It was tough, sometimes even foreboding when I could not imagine having time to do it, but it was an incredible experience. I recommend to anyone who enjoys photography to engage in such an adventure.

January – Black and White
February – Shapes and Patterns
March – People
April – Minimalism
May – Color
June – Architecture
July – Signs and Symbols
August – Night
September – Cinematic
October – Perspective
November – Motion
December – Details

A Year in Photography: 365 days, 12 themes, each day a challenge. Here are some of my favorites from 2017.

Mazi & Chrissy's Wedding

With the honor of photographing my good friends and colleagues Mazi and Chrissy's wedding, I'd like to share some of my favorite photographs from their union.

Please join me in congratulating Mazi and Chrissy on their marriage.

A Micro Four Thirds Wedding, Olympus E-M1 Mark II and the M.Zuiko ED 12-100mm f4.0 IS PRO

Mazi & Chrissy, Lake Michigan, 9/2/2017

Close friends Mazi and Chrissy were getting married. They’ve admired my photography from a far but never did I expect to have them ask me to photograph their wedding.

I have little experience photographing weddings. Actually, this was my first. My trepidation wasn’t too excessive—I rarely shy away from a challenge, however, weddings are once in a lifetime events, these were my friends, and some money was involved. Either way, I had to make this photo shoot count and really execute.

I also had two choices: what style would I use to shoot these photographs? What gear would I used?

One might be surprised to find out that I didn’t use my digital 35mm Nikon system with pro lenses, however. For days after accepting the honor of photographing my friends’ wedding I was sure that I would use Nikon but the wedding was small and I was going to be going in alone. To many it might be a surprise that I decided against using the giant, yet powerful, Nikon gear and go with a smaller more compact system shooting with Olympus Micro Four Thirds equipment.
I wanted to be stealthy, highly mobile, small and noninvasive, and frankly, I just like shooting with smaller systems. I needed power and speed, and I needed flexibility. Micro Four Thirds systems provide this better than any other digital photography system I’ve encountered.

I was really impressed with the E-M1 Mark II. I thought my E-M5 was quiet but this one wouldn’t even know I was taking a picture. I almost forget that it actually did make any sound at all. This is really one of my favorite parts of mirrorless cameras in general. DSLRs are well known as the standard for professional photography but they tend to be noisy. With a mirror flapping around inside when taking a photo, there is a fair amount of mechanical noise. Especially during a wedding ceremony, I very pleased that there was no chance of my camera interrupting the beautiful moment. 

Being the only person on the photography “crew”, the small size of the EM-1 (and my E-M5) gave me plenty of mobility and never did my shoulder, hand, or any other part of me feel distressed. At one point. I carried two cameras, one with the 12-100mm f4.0 lens, the other with a 45mm f1.8 lens, two batteries, all weighing a kilogram less than just my Nikon D700 with a 24-70mm f2.8 lens.

The M.Zuiko ED 12-100mm f4.0 IS Pro was probably my best decision. It is a real gem of a lens. Not only compact, it is a super zoom ranging from a nicely wide 24mm equivalent (in 35mm terms) to a 200mm reach. It’s razor sharp and renders images quite nicely. Weather sealed, metal barrel, and the focus ring doubles as a clutch to activate/deactivate autofocus, it will be top contender for my next lens purchase for my Olympus. 

At the end of the day, however, photography is about photographs. And photographing a wedding is about capturing the moments uniting two individuals, the delight of their friends and family, and giving a lifetime of enjoyment looking back on memories.

When I made the decision to shoot with my Micro Four Thirds fear, I was concerned. Despite having shot with my Olympus gear for more than five years, so many photographers (and probably some who only claim to be), smear the ability of a non-35mm sensor to be a “real professional” system. It is hard to keep that constant negativity from chipping away from ones confidence. My fears were belayed during this shoot and also by seeing what other professionals using Micro Four Thirds can do. As I always say and truly believe, don’t worrry about your gear. Adrian’s Life Rule #55: Go out and shoot! Shooting with the Olympus E-M1 Mark II, E-M5, and the very pleasing 12-100mm f4.0 Pro lens was a delight and I will look forward to shooting with them again professionally.

But most importantly, join me in congratulating my two friends Mazi and Chrissy on their marriage.