Technology

iPhone Photowalk 2024 — Photographic Styles + SOOC by Adrian Galli

Gate M18

Traditionally, I’ve had my new iPhone photography up within a few days of receiving my device. My photo walks usually take me around the city, and September and October are particularly great for photography in Chicago. With some new and exciting photographer-centric features like Photographic Style and Camera Control, I wanted to take a bit more time to explore them. Since I had a trip to Italy coming up, it seemed like an obvious choice to share more than just the Chicago photos I captured in a few days. Enjoy a bit of Italy and Chicago in this annual series of iPhonography.

All Shot on iPhone 16 Pro, all SOOC (straight out of camera) using Photographic Styles and/or minor cropping/straightening.

Traveling to Italy

Train Window — Triptych, Italy

Chicago

Soft and Pointed — Tryptich

Shot on iPhone 16 Pro

Annual iPhone Photowalk — iPhone 15 Pro by Adrian Galli

Those who know me have seen my iPhone photowalks every year since iPhone 5. While some might argue each iPhone is merely a “minor upgrade” from year to year, I beg to differ. Every year I find new and incredible changes to the camera in iPhone. Some years are bigger than others—one that comes to mind is iPhone 6.

iPhone 6 had such a great change in the quality of the camera, I still measure output of mobile device camera’s against it. Perhaps it was the lens, or the sensor, or a combination of both. Perhaps iOS and those hardware features serendipitously made for an outstanding union. Either way, iPhone 6, iPhone X, iPhone 12 Pro, were devices with cameras that stood out to me.

Grasshopper Portrait

No, Grasshopper Portrait is not from this year’s iPhone 15 Pro, or last year’s iPhone, or that of the year before. Grasshopper Portrait is from iPhone 6—approaching nine years ago on a “measly” 8 megapixel camera. No special processing, no AI generating-whatever, no machine learning super resolution—just a good camera (and a good photographer, I like to think).

 
A camera alone only captures light. Through skillful manipulation does that light become cinematography.
— Adrian’s Life Rule #69
 

There is no denying that technology has evolved since then. iPhone 15 Pro is no different in its evolution but with new lenses, new sensors, new processing, I’ve rarely been as impressed with what I’ve been able to achieve with a mobile device camera as with iPhone 15 Pro.

This isn’t a review or a sales pitch, but a sampling of photos I have created using my iPhone 15 Pro over the past few weeks. From Chicago to Italy, I’ll let the image stand on their own.

Italy: Lucca, Bologna, Firenze

Chicago, USA

March — A Year in Photographs — Macro by Adrian Galli

Hibiscus Stigma — Day 60

Macro photography is some of the most fun you’ll have with your camera and lens. Seeing the things of the world through the perspective of a macro lens reveals details and an adventure one can’t see with the human eye alone.

While many photographers like shooting with natural light, being able to control and create the conditions of excellent lighting nearly always enhance the photographic subject. In macro photography, it is virtually a law of nature that you’ll need lighting. Shooting at an ƒ16 or ƒ22 any creature that moves or a flower in the breeze will almost certainly give you a blurry or muddy photo.

March is a long month and lighting is an exercise I love to enjoy. Macro photography is also something one can do at home, in the wild, or in one’s own backyard. While I move onto April and into another favorite subject, architecture, I sadly leave behind a month of macro photography.

Shot on FujiFilm X-T5 with the Fujinon 80mm ƒ2.8 Macro lens.