Technology

Photos Tips and Tricks: Using Black and White Controls by Adrian Galli

Black and white photography is the original; classic, striking, moody, and reduces the photo to a more fundamental state. It is one of my favorite forms of photography and from some of the most famous photographers, there is nothing quite like it. Ansel Adams, Mary Ellen Mark, Yusuf Karsh, amount many others, are renown for their use of black and white.

In today's digital world, there are very few actual black and white cameras; the Leica Monochrom, Red Epic-M Dragon (monochrome) are a few notable examples that come to mind but, generally, if you're using a digital camera, even with a black and white mode, you're shooting color (RGB — red, green, blue) and it is converted to black and white. In other words, if you're making or seeing black and white digital photography, chances are you're look it was originally color.

Without giving a long scientific explanation of why or how digital cameras work, a "general" digital camera have a sensor with pixels, each capturing its own color: red, green, or blue. The Leica M Monochrom uses a sensor where each pixel captures only luminance.

Many of us simply can't afford a Leica or we would really like the option of color photography. Sadly, we can't, or currently can't, have a camera that is "dual-action" color or mono. As such, we'll need to settle for one or the other but don't be discouraged, a color photo can be altered into a stunning black and white photography.

In OS X's Photos app, there are three filters for use to convert your images: Mono, Tonal, and Noir (my personal favorite). Having covered how to use filters in a previous post, we'll forego these and move into a more advanced technique for black and white conversions and more flexible.

Original image, enhanced, no black and white.

Original image, enhanced, no black and white.

Opening an image and entering the edit mode, one will click on Adjustments. Even with the default option for adjustments, black and white is a already visible. Using the adjustment is a simple using the slider until the desired black and white appearance is achieved. This adjustment mimics the effects of using a color filter on black and white film.

Red Filter (right) vs. Blue Filter (left)

Red Filter (right) vs. Blue Filter (left)

This alone will give you more flexibility than just the general black and white filters. However, opening the adjustments will bring more control and a finer look should the basic black and white slider.

Upon opening Black & White, four additional sliders are available: Intensity, Neutrals, Tone, and Grain.

These adjustments are the key to taking advantage of the black and white capabilities of Photos. While it is a simple toolset, there is a great amount of flexibility, like nothing found in iPhoto, and also found on the iOS version of Photos. It is far different from yours average black and white conversion tool found in other apps, I have come to enjoy the ease and power.

Intensity: The strength by which the effect is applied to the photo.
Neutrals: Lightens or darkens the gray areas (midtones) of the photo.
Tone: Adjusts the photo for a more high-contrast or low-contrast look.
Grain: Adjusts the amount of film grain that appears in the photo.

For the final version of Art Deco Mountain, I initially expected I would use the Noir built-in filter, however, I found it too intense. While I wanted a nearly black sky with high contract with the highlights, the shadow area of the building was too dark.  Applying the Black & White adjustment and fine tuning the Intensity, Neutrals, and Tone, the sky looked as I wished as did the building. 

Art Deco Mountain

Art Deco Mountain

Making good use of these four adjustments on can achieve many high quality black and white effects on a photograph. This is to say, we should not forget about the many other adjustments available in Photos as things like Color, Contrast, Definition, and many others will also impact your black and white photography.

Find a Companion in Your Camera by Adrian Galli

Gear, specs, lenses, sharpness, depth of field, image quality, megapixels... But all that doesn't matter. Overall, they are distractions from the real issue. Ansel Adams did not have nearly the technology we have today but is no doubt he is one of the finest photographers to have lived.

Let me tell you a story of how I came to own my camera, my Nikon D700.  

I was in the market for a DSLR. I wanted more than my rugged Olympus and, while my iPhone was great, it was a time when iPhone photography was in its infancy and still had a ways to go. I started my search with the usual: Canon or Nikon? The Nikon D90 was one of the best cameras at the time. Canon was making inroads into 35mm sensors. Friends were polarized and passionate about which to buy.

I then looked at a Canon 50D, and then the Nikon D300, and then the Canon 5D Mark II... I decided I was just going to go all out and get a 35mm digital camera.  And then (!) I looked at the Nikon D700.

I walked into Ritz (at the time) and wanted to check out the two finalists: Canon 5D Mark II and Nikon D700. A friendly associate, Brandon, help me get a feel for them. Picking them both up, I didn't notice in the moment but while talking to Brandon, I continued to go back to the Nikon. The feel and the handling felt just right, it looked nice, fantastic in low light, and was destined to be mine. 

"I'm just not sure which one to choose," I said.  

"I think you have chosen," he replied, "You can't keep your hands off the Nikon."

He was right. The Canon felt chunky, and looked the part too, and while the megapixel count was higher, it didn't perfect as well in low light. The Nikon was the right camera for me and to this day, despite there being newer and more powerful cameras available, it is still my favorite. 

From PetaPixel 

Recently one of my cousins messaged me asking for some camera advice. He was looking for help choosing a new camera and wondered if I had any suggestions. Without wasting any time I started writing back a sort of stream of consciousness response.

I started with the differences and history behind DSLRs and mirrorless cameras. I wrote about size and shape and weather sealing. I covered lenses and the suggested uses for various systems. I reflected on megapixels and sensor sizes and dynamic range and ISO performance. I covered Canon, Nikon, Sony, Fuji, etc… I wrote about zoom lenses vs. prime lenses and the dangers of too much choice. I went on and on.

And then I surprised myself as I wrote that none of that mattered. That all the technical details, all the performance specs and features, all the history and lenses, all of it was completely secondary to the most important feature of a camera: how it makes you feel.
— Spencer Bailey

This true statement is why I have my Nikon D700 and love shooting with it, why I have my Olympus E-M5 and love shooting with it, and speaks to how one should always choose a camera. While I do tout that I'll shoot with any camera, any time, and get great results, the companion nature of one's camera must be respected.

1. Find a camera that you’re passionate about.
2. Treat it like underwear. You wouldn’t leave home without it.
— Spencer Bailey of Peta Pixel

One's camera is an extension of eye and mind; connect with it and make it part of one's self.  

Instagram Gets Modern by Adrian Galli

Instagram's new icon.

Instagram's new icon.

What does his mean for the hipsters? 

After years of waiting and hoping, Instagram gets a new icon and a mordernized interface. As one of my favorites in social networking, I'm pleased to see it moving forward... admittedly, I'm not sure about the icon. I don't think I'm thrilled with it but the hurrah over how "ugly" it is seems highly exaggerated. 

The interface is overall much cleaner and I could see these changes coming with some adjustments made in the app recently such as flatter, less colorful UI features.

Technology is like a fast moving river. One can try to swim against the current and fail. One can also get swept away in the flow of water into confusion; perhaps drown in it. Or one can navigate the river like so many pioneers before and use the waterways to one's advantage. 

My experience in the industry, many fight changes in technology and cause themselves much frustration and irritation. Technology is change. I have made my way navigating the technological river and built a huge skill set rivaled my few.  

For right now, the icon is fine and the interface is great. Besides, if a change in icon is the worst thing to happen to a beloved app, consider it a first world problem like having too many choices at one's favorite burrito joint.

The *real* problem is that the new icon doesn't go with any of the other icons on my home screen.