Photography

Find a Companion in Your Camera by Adrian Galli

Gear, specs, lenses, sharpness, depth of field, image quality, megapixels... But all that doesn't matter. Overall, they are distractions from the real issue. Ansel Adams did not have nearly the technology we have today but is no doubt he is one of the finest photographers to have lived.

Let me tell you a story of how I came to own my camera, my Nikon D700.  

I was in the market for a DSLR. I wanted more than my rugged Olympus and, while my iPhone was great, it was a time when iPhone photography was in its infancy and still had a ways to go. I started my search with the usual: Canon or Nikon? The Nikon D90 was one of the best cameras at the time. Canon was making inroads into 35mm sensors. Friends were polarized and passionate about which to buy.

I then looked at a Canon 50D, and then the Nikon D300, and then the Canon 5D Mark II... I decided I was just going to go all out and get a 35mm digital camera.  And then (!) I looked at the Nikon D700.

I walked into Ritz (at the time) and wanted to check out the two finalists: Canon 5D Mark II and Nikon D700. A friendly associate, Brandon, help me get a feel for them. Picking them both up, I didn't notice in the moment but while talking to Brandon, I continued to go back to the Nikon. The feel and the handling felt just right, it looked nice, fantastic in low light, and was destined to be mine. 

"I'm just not sure which one to choose," I said.  

"I think you have chosen," he replied, "You can't keep your hands off the Nikon."

He was right. The Canon felt chunky, and looked the part too, and while the megapixel count was higher, it didn't perfect as well in low light. The Nikon was the right camera for me and to this day, despite there being newer and more powerful cameras available, it is still my favorite. 

From PetaPixel 

Recently one of my cousins messaged me asking for some camera advice. He was looking for help choosing a new camera and wondered if I had any suggestions. Without wasting any time I started writing back a sort of stream of consciousness response.

I started with the differences and history behind DSLRs and mirrorless cameras. I wrote about size and shape and weather sealing. I covered lenses and the suggested uses for various systems. I reflected on megapixels and sensor sizes and dynamic range and ISO performance. I covered Canon, Nikon, Sony, Fuji, etc… I wrote about zoom lenses vs. prime lenses and the dangers of too much choice. I went on and on.

And then I surprised myself as I wrote that none of that mattered. That all the technical details, all the performance specs and features, all the history and lenses, all of it was completely secondary to the most important feature of a camera: how it makes you feel.
— Spencer Bailey

This true statement is why I have my Nikon D700 and love shooting with it, why I have my Olympus E-M5 and love shooting with it, and speaks to how one should always choose a camera. While I do tout that I'll shoot with any camera, any time, and get great results, the companion nature of one's camera must be respected.

1. Find a camera that you’re passionate about.
2. Treat it like underwear. You wouldn’t leave home without it.
— Spencer Bailey of Peta Pixel

One's camera is an extension of eye and mind; connect with it and make it part of one's self.  

Infinite Ways to Photograph Anything by Adrian Galli

Geometric Black and White

Geometric Black and White

There are many subjects in this world that have been photographed over and over and over again. Some of these include the Eiffel Tower, Millennium Park, Marina City, the Roman Coliseum, the Parthenon, and many more. 

It's easy to be fooled into thinking that because one subject has been photographed so many times that there's no need to photograph again or that one can't bring a new perception to said subject but I would argue that there is an infinite ways to bring a new vision to something that has been seen so many times.  

The building shown in this photo I have photographs so many times before but there are so many ways to photograph it that I am compelled to shoot it again and again.

I once posted, on Twitter, that sometimes the best shot is behind you. While walking down a street I've walked down many times, a building a shot many times, with the sun and light exactly how I've seen it many time, the green light changed and in one serendipitous moment, I turned and saw this familiar building in a very unfamiliar way. 

Shot on iPhone 6s

Metropolitan Correctional Center by Adrian Galli

MCC

MCC

It is a building that is oddly compelling given its function within Chicago. I have aspired to photograph the Metropolitan Correctional Center for some time and it hasn't been easy. What is in my mind for how to capture its design would require me to acquire permits and that, as it is a government building, sounds challenging.

Having gone out to photograph an entirely different subject, I decided to walk down to the MCC for a brief scout. I had no intentions of finding a shot I wanted but the light, like Shadow and Light (Art Deco Mountain) was just was what I needed to see.

It is funny how you go out, perhaps only partially successfully, to shoot one thing and end up finding something entirely different to photograph.