Photography

The Blue of the Universe by Adrian Galli

Gold and Aquamarine

Gold and Aquamarine

There is a theory: if in language a word does not exist for something in particular, that item goes unnoticed by the people of that language.

Blue is a color we in the western world, America in my case, so frequently see and feel. The sky is blue. The cold water faucet is blue. Pools are blue. But it may surprise many people that in some languages, ancient Greek for example, there was no mention of blue. The question anthropologist and sociologist, among others, ponder is, did the Greeks see blue?

I think the obvious answer is 'yes' they saw blue but was it any importance or did they value the in their civilization? Some reasons why it wasn't a "valued" color might be because blue dye was difficult or even impossible to produce; the only ancient civilization able to were the Egyptians. I would argue this is a far more complex topic to explore but the general theory is sound.

Today, blue is very readily available; paint, clothing, cars, plastics, paper, candy, etc. Without a word or the ability to create the item the word would be associated with, some argue things go unnoticed or of little value.

My grandfather, while looking through my photos, remarked, "I don't know how you do it. You see things I'd never see." 

I had never considered it exactly. I assumed that everyone saw what I saw. While I think that is generally true, anyone with sight could see the things I saw, they didn't notice them. I pondered this point for years. How do I and my fellow photographers and cinematographer do it?

My exploration of this lead me to wonder, perhaps, many people simply use their sight to navigate the world; to decide on what shoes to wear, how to get to work, or whether they need an umbrella on that day.

Perhaps photographers and cinematographers are those who illuminate that which otherwise goes unnoticed and unseen; that we give definition to the undefined visuals of the Universe. 'Blue' becomes a word and blue is seen. A photographer takes a photo and its subject is seen.

Learning to Love the Olympus 45mm by Adrian Galli

Dark Bass

Dark Bass

I shoot with a lot of different equipment. As a cinematography, I say, "I'm just happy with a camera in my hands." I take it as a challenge to shoot with gear I don't know and have never used.

I picked up the Olympus 45mm f/1.8 for my Olympus E-M5. It is a tiny and wonderful lens. To give a comparison, it gives a similar field of view as a 90mm lens would on a 35mm camera. While I'm very comfortable filming with that field of view, I found it more challenging to shoot photography with it. When I bought my Panasonic 20mm (40mm equivalent), I spent 6 months shooting with it almost exclusively (for my personal photography). It is my tip for anyone with new gear. It has become my favorite method for learning gear. That sort of "gear discipline" makes you learn it. You will know every limitation, every quality, every situation for and against using it. 

I spent the evening walking around the Loop (Chicago's central downtown area) shooting architecture, people, and other curiosities. After months of using this lens, I'm infinitely more comfortable with it. While I'm still a fan of shooting with wide angle lenses, some of my favorite shots are now from this lens/focal length and could only have been created using it.

Take the time to work with your gear. Don't worry about what you have, specifications, size, megapixels and all that. Go out and shoot! Photos come from you, not your gear. You'll enjoy photography and cinematography so much more when you can appreciate your equipment for what it is, not for what it isn't.