Photography

People of Italy by Adrian Galli

Man with Glasses

I’ve sent plenty of time in Lucca, where my father lives, and tend to take many beauty shots. After so many trips, I wanted [needed] something new—inspiration, subjects, etc. I usually take my 23mm (35mm in 35mm terms) lens and my FujiFilm camera; usually my X-T5. Italy works very will with wider lenses. Many streets are narrow compared to the broad spaces we have in the United States. However, taking the same gear would have put challenges in the backseat.

My lens of choice: 35mm ƒ1.4 lens. Just a change in lens but doesn’t do well for broad, sweeping landscapes, or whole-building architecture but for details—getting close to ones subject and maximizing the minimalism of photography. That focal length doesn’t distort much, it doesn’t exaggerate perspective or compress the seen. It is a boring lens… and one much focus on interesting content.

For this trip to Italy, people became a suprisingly common subject for me. Surprising because I tend not to do the typical street photography but I loved it. While New York City is considered a mecca for street photography, I would argue the people of Italy of been sold short on that premise.

These are some of the people of Italy; Lucca, Pisa, Orvieto, and Firenze.

Edited on iPad Pro using Capture One

Southern Utah in Black & White by Adrian Galli

Away from the city and in between granite, sandstone, and lava rock, the sun casts its dramatic light on ancient sculptures that have lived under the sky for many aeons.

There is much I love about the desert but most of all is the imagery and the silence. A gust of wind can be hear before it arrives and the only sound made by a creature is a bird in the distant or the sifting of sand and rock under one’s feet.

I’ll return here, one day—it will be the same but entirely different. The silence is only eclipsed by the landscape.

A Year in Photographs 2023 — A Journey's End by Adrian Galli

A Year in Photographs

365 Days, 12 Themes, 1 Creative Journey

Museo Soumaya — Day 98

I started writing this entry with some grand idea that there was a lot to say, stories to tell, and great insight I learned. While I do have many stories, evolved creatively, pushed myself hard to achieve this tremendous goal, and want to share so much of my journey, I didn’t find that I could completely convey what #AYearinPhotographs has meant to me nor engage it all in just a few paragraphs.

Instead, I intend to keep this short because, perhaps, minimalism is a certain type of valor. A photograph every day for a year is an undertaking. One sets out, like every journey, with the first footstep and from there, the Universe leads one on. Simply put, it is a lot of work. Sometimes hours spent crafting one photo—it is easy, and it is hard. One is excited to do it and one will be tired.

Then it is all over and there is pride, sadness, love, and even bewilderment. And it is absolutely something that I recommend everyone should do—whether it be photography, writing, music, art, cooking, fitness, or whatever your passion may be. Do it. Journal it. Blog it. Share it.

It is a wave that washes over you and you’ll either ride it great distances or it will stay your feet, and you will be left behind. It is a commitment that if you hesitate for merely a day, you can never draw level. But when you reach the end of every day, every week, month, and the year, you have an accomplishment that only those who have traveled this path can truly appreciate.

Over 11,000 photos, 365 days, 12 themes, thousands of kilometers, two continents, four countries, and one singularly fantastic camera later, #AYearinPhotographs comes to close.

Here’s to the journey’s beginning, the path, the light, the shadow, and to the journey’s end.

Until next time.

A Year in Photographs 2023

 
Go out and shoot!
— Adrian’s Life Rule #56

 

Shot on FujiFilm X-T5