AYIP 2023

Wrigley Building — Day 102 by Adrian Galli

An enduring symbol of Chicago and one of the city’s most recognizable buildings, the Wrigley Building is a gleaming terra-cotta structure located at the northwest corner of Michigan Avenue and the Chicago River. The twenty-four story original building (1921) and massive sixteen- story north annex (1924) that comprise the Wrigley Building were constructed to serve as the headquarters of the Chicago-based Wrigley Company, the largest producer of chewing gum products in the world. William Wrigley, Jr. commissioned the architectural firm of Graham, Anderson, Probst and White to design a building that would serve as a fitting monument to the company’s success. The firm drew on a variety of influences ranging from European classicism to early skyscraper development. The resulting structure served as the centerpiece of the new “Gateway to Chicago” created by the opening of the Michigan Avenue Bridge in 1920. As the first major commercial structure constructed north of the river, the Wrigley Building inaugurated the rapid commercial development of North Michigan Avenue during the first half of the twentieth century.

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London House — Day 101 by Adrian Galli

In the 1920's Chicago experienced a high rise development boom. The London Guarantee and Accident building is one of Chicago's and the nation's most visible and prominent pieces of real estate located at the corner of North Michigan Avenue and Wacker Drive. In the summer of 2013, visionary Chicago based developer Oxford Capital Group, LLC acquired the historic building and began a comprehensive redevelopment. The transform of this architecturally stunning property created a 452 room high-design, luxury lifestyle hotel called LondonHouse. LondonHouse Chicago synchronizes the classical architecture of 360 North Michigan Avenue with a modernist 22 story all glass tower addition forming a one-of-a-kind destination in Chicago.

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Lotería Nacional — Day 100 by Adrian Galli

Mexico City’s Lottery Building, the Edificio de la Lotería Nacional, is lovingly known as El Moro. Although it was only briefly the tallest building in the city when it opened in 1946, it’s always been beloved for its Arte Deco style.

El Moro faced manifold issues in the 13 years it took to build. Begun in 1933, the subsoil was saturated with water and required innovative engineering solutions to support a building of this size. Eventually a foundation had to be drilled to 55 meters and reinforced with concrete. The result is the first, and tallest building of its kind. It’s one that would be followed by many more constructions of ever greater heights. It was also the first building with a neon electric sign in Mexico City.

The tower served the lottery until 1970 when the even taller Torre del Prisma (just across the glorieta) was opened. Today, that’s the headquarters of the INBAL, and the National Lottery remains in its original headquarters.

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Correos de México — Day 99 by Adrian Galli

It was designed by Italian architect Adamo Boari (1863 - 1928) (who also designed the Palacio de Bellas Artes) and constructed by Mexican military engineer Gonzalo Garita y Frontera.

Its architectural style is highly eclectic, with the building being classed as Art Nouveau, Spanish Renaissance Revival, Plateresque, Spanish Rococo style, Elizabethan Gothic, Elizabethan Plateresque and Venetian Gothic Revival and/or a mixture of each. The building also has Moorish, Neoclassical, Baroque and Art Deco elements. There is also a mix of materials and design elements from Europe and Mexico. The palace contains ornaments of marble, plaster of paris and white "cantera" stone from Puebla.

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Museo Soumaya — Day 98 by Adrian Galli

Named after Slim’s late wife Soumaya Domit Gemayel, the museum houses an art collection of over 60,000 works on display for public appreciation. The building – a rotated rhomboid – is supported by 28 curved steel columns of different diameters and shapes and clad in a honeycomb of hexagonal mirrored-steel tiles. Completed in 2011, the structure spans 16,000 square metres and consists of six gallery floors.

The building’s skeleton consists of 28 curved steel columns, of varying widths around the perimeter and attached to a concrete podium. Adding support is a seven-ring structural system which creates cantilevers on multiple sides. The seven horizontal beams, one on each floor level, work to bind the columns together and adds stability to the flowing six-level promenade of exhibition, presentation and communal gathering spaces.

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Monumento a la Revolución — Day 97 by Adrian Galli

The Monument to the Revolution (Spanish: Monumento a la Revolución) is a landmark and monument commemorating the Mexican Revolution. It is located in the Plaza de la República, near to the heart of the major thoroughfares Paseo de la Reforma and Avenida de los Insurgentes in downtown Mexico City.

The building was initially planned as the Palacio Legislativo Federal (Federal Legislative Palace) during the regime of president Porfirio Díaz and "was intended as the unequaled monument to Porfirian glory."The building would hold the congressional chambers of the deputies and senators, but the project was not finished due to the Mexican Revolutionary War. Twenty-five years later, the structure was converted into a monument to the Mexican Revolution by Mexican architect Carlos Obregón Santacilia. The monument is considered the tallest triumphal arch in the world, standing 67 metres (220 ft) in height. Porfirio Díaz appointed a French architect, Émile Bénard to design and construct the palace, a neoclassical design with "characteristic touches of the French renaissance," showing government officials' aim to demonstrate Mexico's rightful place as an advanced nation. Díaz laid the first stone in 1910 during the centennial celebrations of Independence, when Díaz also inaugurated the Monument to Mexican Independence ("The Angel of Independence"). The internal structure was made of iron, and rather than using local Mexican materials in the stone façade, the design called for Italian marble and Norwegian granite.

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Torre Reforma — Day 96 by Adrian Galli

The Torre Reforma is a skyscraper in Mexico City with a height of 807 feet (246 m) to the roof and housing 57 stories, in 2016 it became the tallest skyscraper in Mexico City, exceeding both Torre BBVA Bancomer at 771 feet (235 m) located just across the street, and Torre Mayor at 739.5 feet (225.4 m) located next to it.

Construction began in May 2008. The complex hosts a restaurant, a shopping mall, entertainment areas and the DOOM International's Reforma Gym. The construction of the building was managed by Vertical Capital Group while LBR and Architects was charge of development.

It was built at Paseo de la Reforma #483, across the street from the Torre Mayor, at the site formerly occupied by a nightclub on the Paseo de la Reforma. The initial plan included the demolishing of a historic 1930s house near the site, but it was decided to conserve the house and use the historic structure as the main entrance to the building.

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Pirámide de la Luna — Day 95 by Adrian Galli

The Pyramid of the Moon is the second-largest pyramid in Mesoamerica, after the Pyramid of the Sun, and located in modern-day San Martín de las Pirámides, Mexico. It is found in the western part of the ancient city of Teotihuacan and mimics the contours of the mountain Cerro Gordo, just north of the site. Cerro Gordo may have been called Tenan, which in Nahuatl, means "mother or protective stone". The Pyramid of the Moon covers a structure older than the Pyramid of the Sun which existed prior to 200 AD.

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Wells Street Bridge — Day 94 by Adrian Galli

The Wells Street Bridge is a bascule bridge over the Chicago River, in downtown Chicago, Illinois, United States, which was built in 1922. Standing east of the Franklin Street Bridge and southeast of the Merchandise Mart, the bridge connects the Near North Side with "The Loop". The bridge is double-decked, the lower deck carrying three lanes of traffic south over the river with sidewalks on both sides of the street. The upper deck serves as a bridge for the Chicago Transit Authority's Brown and Purple lines. Bridge tenders' houses for controlling the bridge are on the northwest and southeast corners of the bridge.

The bridge was constructed during the first term of William Hale Thompson. The Chicago Plan Commission and Chicago Art Commission provided design input to architect E. H. Bennett.

The bridge was completely rebuilt 2012-2013 by the Chicago Department of Transportation.[1][2] The two leaves (north and south) were built off-site and floated on the river to Wells Street for installation.[3] The other half of the bridge was rebuilt in place – the two portions closest to each river bank, containing the counterweights for the bascule bridge.

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The Rookery Building — Day 93 by Adrian Galli

As one of the most historically significant buildings in Chicago, The Rookery is a unique enclave for businesses that value a prestigious presence. An icon in the center of Chicago's downtown Financial District, The Rookery seamlessly combines the flair of an era gone by with state-of-the-art building systems and technology. Designated a Chicago Landmark in 1972 after being added to the National Register of Historic Places in 1970, The Rookery is universally considered an architectural masterpiece.

Designed by famous architectural partners Burnham and Root, the picturesque Rookery was originally completed in 1888. Adding to its impressive stature, Frank Lloyd Wright redesigned the stunning two-story, sky lit lobby in 1905. Meticulously renovated and maintained, The Rookery stands as one of the most highly recognized addresses in all of Chicago.

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